The Grandeur and Intrigue of the Traditional Balinese Theater State

Miguel Covarrubias, the famous Mexican amateurkingdom of Majapahit sent an army led by the
anthropologist and intrepid traveller, wrote in 1937revered general Gajah Mada to colonize Bali.
in his classic work Island of Bali that "it seemsDifferent versions of the tale of Majapahit's
difficult to reconcile the soft-mannered,conquest exist, but the basic story goes
peace-loving Balinese we know with the intriguesomething like this: At that time, Bali was ruled by
and violence of their turbulent past." And indeeda cruel and greedy king named Bedaulu. Although
the historians of Bali's past thousand years tellhe possessed great magical powers, he angered
tales that would put any modern soap opera tothe gods by forbidding his subjects to worship
shame: stories of the rise and fall of kingdoms, ofthem, requiring instead that they make their
bloody battles waged and beautiful maidens won,offerings to him. Bedaulu was so arrogant that he
of princes gifted with magical powers warding offonce removed his head and sent it up to heaven
evil demons disguised as fierce, fanged monkeysto show the gods what awesome spiritual skills he
and vicious, razor-beaked birds.commanded. Annoyed by this boastful display, the
Bali's written history begins in the 8th century,god Siwa replaced Bedaulu's head with that of a
when Java's Indianized kingdoms turned an eyepig. Embarrassed by his new animal appearance,
toward the island's bounty. The Javanese, whothe king ordered that none of his courtiers was to
had already been introduced to the Buddhist andlook at him, and he had them build a high tower
Hindu religions by South Asian traders, spreadwhere he would sit, presiding over his subjects
these teachings to Bali, along with the knowledgefree from their curious stares. But Bedaulu still had
of writing in the Old Javanese language - known innot learned his lesson. His evil grew to the point
Bali as Kawi - which soon became the medium ofwhere he demanded that all his food be spiced
communication for Bali's elites. By the 10thwith human blood. Finally, his desperate people
century, Balinese art, religion and culture had takensent word to Java, asking for aid from Majapahit.
on a decidedly Indian appearance. One importantGajah Mada promised to help if the king did indeed
relic of this era can be found today in the midsthave a pig's head, and he sent one of his soldiers
of modern Sanur: the Prasasti Belanjong, anto investigate. In order to catch a glimpse of
inscribed monument dated 913 A.D. - making itBedaulu, the cunning Javanese tricked the king by
Bali's earliest dated artifact - that tells the tale ofrequesting the food known as paku, a long,
a Javanese king and his journey to Bali.stringy green that is eaten by lowering it from
The 11th century saw the birth of one of Bali'sabove into one's mouth. Facing upwards toward
most influential historical figures: Airlangga, son ofthe tasty morsel, he was able to verify Bedaulu's
the Balinese Prince Udayana and the Javanesebeastly countenance, and called for Gajah Mada
Princess Mahendratta. Airlangga journeyed toand his troops, who conquered Bali and set in
Java, where he ascended the throne of aplace a new king who ruled from Samprangan,
dynasty that would rule on that island for thenear Klungkung.
next 300 years. During Airlangga's lifetime,With the arrival of the Majapahit empire came
contacts between Java and Bali grew increasinglyvast changes in the cultural, religious and political
close. Out of this cross-fertilization of cultureslandscape of Bali. Only the people known as the
came a number of social features that wouldBali Aga, who kept themselves distant by
mark the face of Bali for centuries to come:retreating to their isolated mountain villages,
rituals presided over by Hindu priests chanting holyescaped encompassment by the new social order.
mantras, temples devoted to the worship of godsAs the Javanese installed their own nobles to
and divine ancestors, and the means to effectpreside over Bali, the island's population became
magic, both good and evil, to harm one's enemiesdrawn into a hierarchical system controlled by
or heal one's friends.warrior kings and learned priests and divided into
This period of Bali's history also gave rise to thecastes. Today, Balinese speak of history in terms
mythic tale of good and evil that continues toof the pre-Majapahit and post-Majapahit eras, and
enthrall visitors with its fearsome power: thethose who can trace their genealogies back to the
story of Rangda and Barong. Legend has it thatmighty rules and sages of that time still claim high
Airlangga's mother, Mahendratta, possessedsocial status in the present. When the Hindu
among her many queenly accomplishments aMajapahit empire finally fell in the 16th century,
command of the dark forces of transformationbrought down by the rise of Islam across the
that enabled her to change from a beautifulIndonesian archipelago, a new wave of priests,
woman into a horrific witch able to rain diseasescholars, nobles and artists sought refuge on Bali,
and death upon her enemies. When her husbandwhich would remain the last Hindu island in the
found her dabbling in these dangerous arts, heland.
banished her to the forest, where she remained,Over the next four hundred years Balinese culture
nurturing her evil powers, until her daughterflourished around the royal courts. Elaborate rituals
reached the age of marriage. Fearingwere staged, and Bali's famous cremation
Mahendratta's black magic, no one dared to marryceremonies came into existence as a means of
the young princess, despite her esteemed statusshowing honor and loyalty to the ruling lords. Art,
and her lovely looks. Wild with anger and driven todance and music prospered, not as purely
revenge, Mahendratta shifted her shape into thataesthetic activities but as service on behalf of
of a hideous witch, armed with spiked teeth, agods and kings. This era saw the rise of what
tongue of fire and heavy, hanging breasts, tolater anthropologists would describe as the
spread plague and pestilence across the land.Balinese "theater state": a complex combination of
Today the story is reenacted in the drama ofextravagant art and ceremony designed to
Calonarang, where a mythological beast, thecelebrate the power and majesty of the royal
lion-like Barong, protects the suffering villagersfamilies and to express the humble deference of
from the demonic powers of the witch, known astheir followers. But this period was hardly a
Rangda. In the performance, traditionally held inpeaceful one. The seat of the kingdom of Bali
the dead of night in the village graveyard, themoved to Gelgel, and the king who presided over
followers of the Barong attack Rangda, who usesit was given the title of Dewa Agung, or "Great
her magic to send them into trance and makeLord," a reference to both his worldly and spiritual
them turn their daggers against themselves. Thepowers. One of these kings even managed to
Barong's power protects them from the bladesbring parts of neighboring East Java and Lombok
and helps them push the witch back into theunder Balinese control. But the kingdom soon
cemetery, restoring the balance between goodbecame fragmented by family feuds, and Gelgel
and evil until the next encounter.splintered off into a number of smaller
The most critical turning point in Bali's historyprincipalities, which remained in a state of constant
came in the 14th century, when the Javanesewar and intrigue until the turn of the 20th century.